REVIEW
Love In A Foreign Land
The Playground Theatre (studio)
Anastasia Revi (director)
140 (length)
02 April 2025 (released)
4 d
Maria Vigar’s Love in a Foreign Land is a poignant exploration of migration, family, and the resilience of Cypriot women. Directed by award-winning Greek director Anastasia Revi, the play weaves past and present, spanning multiple locations and time zones to tell the life story of Theophana (‘Theo’)—a woman who leaves her homeland of Nicosia behind in 1959 in search of her husband, only to find herself navigating a lifetime of migration, sacrifice, and longing for love.
Greek phrases, music, and traditions serve as a bridge between eras, making the play particularly nostalgic. The theme of sonder—the realization that everyone has their own intricate story—shines through, alongside the notion that ‘hurt people hurt people.’ Family, loyalty, and resilience are central to Theo’s journey, reinforcing the strength and depth of Cypriot womanhood.
Revi’s seasoned direction effectively balances time shifts, allowing the audience to witness Theo’s past choices alongside her present regrets. The decision to split the stage across different locations and timelines enhances storytelling, though some scenes feel unnecessarily prolonged.
Elena Hadjiafxendi is particularly gripping as the younger Theo, her vocal performance adding a haunting emotional layer, especially when paired with Lucy Christofi Christy’s grounded portrayal of the older Theo. Ilias Alexeas commands the stage as Andy, bringing intensity to their relationship. His Greek dancing in both the opening scene and at his funeral proves unexpectedly powerful and symbolic.
Music plays a vital role, with original compositions lending a lyrical thread throughout. From harmonica solos to traditional Mediterranean melodies, the soundtrack deepens the emotional impact of the story.
While the play centres on Theo’s personal arc, it subtly weaves broader themes—immigration, abusive relationships, and the alienation of being an outsider in London—without letting these overshadow the narrative. These elements enrich rather than dilute the emotional core.
Love in a Foreign Land is a moving, intimate, and well-constructed production, particularly resonant for those with Greek or Cypriot heritage or second-generation immigrant experiences. Though the pacing falters in the middle, the play regains its rhythm, ending on a satisfying emotional note.
For anyone seeking a reflective and personal theatrical experience that honours strong, independent women and the enduring sacrifices made for love and family, this production—running at The Playground Theatre until 12 April 2025—is well worth your time.
Photo credit: Lakruwan Rajapaksha
Greek phrases, music, and traditions serve as a bridge between eras, making the play particularly nostalgic. The theme of sonder—the realization that everyone has their own intricate story—shines through, alongside the notion that ‘hurt people hurt people.’ Family, loyalty, and resilience are central to Theo’s journey, reinforcing the strength and depth of Cypriot womanhood.
Revi’s seasoned direction effectively balances time shifts, allowing the audience to witness Theo’s past choices alongside her present regrets. The decision to split the stage across different locations and timelines enhances storytelling, though some scenes feel unnecessarily prolonged.
Elena Hadjiafxendi is particularly gripping as the younger Theo, her vocal performance adding a haunting emotional layer, especially when paired with Lucy Christofi Christy’s grounded portrayal of the older Theo. Ilias Alexeas commands the stage as Andy, bringing intensity to their relationship. His Greek dancing in both the opening scene and at his funeral proves unexpectedly powerful and symbolic.
Music plays a vital role, with original compositions lending a lyrical thread throughout. From harmonica solos to traditional Mediterranean melodies, the soundtrack deepens the emotional impact of the story.
While the play centres on Theo’s personal arc, it subtly weaves broader themes—immigration, abusive relationships, and the alienation of being an outsider in London—without letting these overshadow the narrative. These elements enrich rather than dilute the emotional core.
Love in a Foreign Land is a moving, intimate, and well-constructed production, particularly resonant for those with Greek or Cypriot heritage or second-generation immigrant experiences. Though the pacing falters in the middle, the play regains its rhythm, ending on a satisfying emotional note.
For anyone seeking a reflective and personal theatrical experience that honours strong, independent women and the enduring sacrifices made for love and family, this production—running at The Playground Theatre until 12 April 2025—is well worth your time.
Photo credit: Lakruwan Rajapaksha
