The Edinburgh Fringe Festival is renowned for provocative and experimental theatre and music, decades ago it laid down a bold declaration that no show would face the tyranny of censorship. Fast forward to today, and that rebellious spirit is alive and well in "Dystopia," a rock opera that's equal parts political grenade and satirical, musical, genius. It's a defiant reminder of why artistic freedom isn't just a luxury—it's the pulse that keeps this iconic festival alive.
Picture this: Donald Trump with a Mohican, leading a band of despotic misfits featuring Russia’s notorious Vladimir Putin on drums and North Korea’s Kim Jong Un shredding on guitar. If that doesn’t scream "fringe," nothing will. "Dystopia" skewers modern society with brilliant music and biting wit that’s as refreshing as it is audacious, breathing new life into the festival’s storied tradition of pushing boundaries.
The brainchild of frontman Justin Skelton, "Dystopia" is set in a fictional state crumbling under the grip of dictatorial billionaires. The narrative is timely, with the "Moon On A Stick" party overthrowing the corrupt "Finger of Blame" regime—a cheeky nod to the shifting political landscape in various countries today.
From the moment you step into the Liquid Room, one of Scotland’s best live music venues, you’re pulled into the world of "Dystopia." The immersive sound, the electrifying lights, and the interactive experience (think people waving flags, wearing bandanas and using the special Dystopian greeting) set the stage for what’s more than just a performance. It’s an immersive event.
Skelton, a man with energy to burn, leads the charge with the narrative driven forward by Fiona Lynch's sharp, scripted commentary. The band, disguised as dictators under eerily lifelike rubber masks crafted by artist Landon Meier, delivers an exceptionally tight performance. The music, polished to perfection, is the rock-solid foundation that keeps this wild ride on track, proving that satire hits hardest when it’s backed by serious talent.
In a pre-show chat, Skelton let slip that the idea for "Dystopia" was sparked by the chaotic political landscape of 2016. Trump and Brexit were the catalysts, but it was Skelton’s relentless songwriting—19 singles and an album later—that brought this dystopian dream to life. He paints a picture of a world not unlike his own hometown of Falkirk, where a sense of community has eroded under economic strain. The politics of blame, sadly have been the currency of those in power in the UK for too long.
The music is as sharp as the satire. Tracks like "Dumpster Fire" and "Soap Machine" take pointed jabs at societal decay and the self-obsession fueled by social media. "Flowers" captures the wistful nostalgia of towns and times that once were, the banging "Felony," dives headfirst into the political corruption and audience favourite “Elected” one of the show’s anthems and had everyone dancing and singing and signing along – using the Dystopian welcome which we had all been taught at the outset. It’s a show packed with blistering songs, but Skelton balances the darkness with moments of hope, especially as the "Moon On A Stick" party promises and teaches a future of happiness and unity with an especially upbeat ending using songs like Old Black Eye, Hermano and Happiness.
For an hour and a half, "Dystopia" keeps its audience hooked—a testament to Skelton’s songwriting and singing chops and the band’s commitment. Special props go to the musicians who played through the heat and intensity in their rubber masks, never missing a beat.
If you missed "Dystopia" at the Fringe, don’t fret. This show is primed for a wider stage, adaptable to any setting, from intimate clubs to grand theaters. With seven performances already under their belt, Beldon Haigh is ready to spread their message far and wide.
Whether you come for the rock, the politics, or the sheer audacity, one thing’s for sure: "Dystopia" isn’t just another show. It’s a call to arms, a conversation starter, and in a world that feels increasingly dystopian, it might just be the wake-up call we all need.
Meanwhile, "Felony" - Beldon Haigh’s most recent release - has taken the music world by storm, climbing to the top of Spotify charts in major U.S. cities. The track has captured the number one spot in San Francisco, solidifying its place as the city's favourite hit. In Dallas, it has secured an impressive number three position, while in Chicago, it continues to rise, currently holding the number eight spot. This widespread success across US cities highlights the track's appeal and growing momentum, making "Felony" a must-listen sensation on Spotify.
As the show inevitably gains momentum beyond the Fringe, with tracks like "Felony" making waves on Spotify charts, the success demonstrates that the themes, songwriting and energy of the show are even striking a chord thousands of miles across the pond!
Instagram I
Facebook I
X I
TikTok I
Website